NEW ENGLAND · MASSACHUSETTS · RHODE ISLAND · CONNECTICUT · DESTINATION
Questions, answered
Before the wedding
For a recommendation shaped around your date and the way your day will move, tell us about your wedding.
Browse the questions
Everything starts with the shape of the day: your date, your locations, how many people, and how completely you want it kept.
Yes. Most couples book both, because a single team keeps the visual direction consistent and the coverage seamless — but either medium works on its own.
How many photographers and filmmakers your day needs depends on its size, its timeline, how far the locations sit apart and what matters most to you. Tell us how the day will move and we will suggest the cleanest arrangement.
Explore servicesOnce the date and venue are taking shape, it is worth getting in touch. Popular dates and destination celebrations are often reserved well ahead of the wedding. We can check the calendar and talk through the coverage that makes sense for your plans.
Yes. We can discuss the hours of coverage, the size of the team, engagement and rehearsal-dinner sessions, film photography, albums, travel and delivery timing around your actual celebration.
Start with what you want to remember. We will build the collection around that, rather than ask you to arrange the day around a preset package.
After we agree on the date and the coverage, your booking agreement sets out the retainer, when the remaining balance is due and the available payment methods. Those details are confirmed as part of booking, so there is a clear record of the next steps.
Check availabilityNot one isolated clip: a set of films shaped to hold the emotional pulse of the day at the right length and pace.
A set of films rather than one clip. A short teaser for the days right after the wedding, a cinematic highlight, and a longer feature or documentary film. Ceremony and speeches edits are included in the larger collections.
You also receive the usable raw footage, organised, and a private page where the films can be streamed, downloaded and shared. Each piece exists for a different moment: one to send the same week, one to rewatch on anniversaries, one to sit down with years from now.
Easy to reach now, and still worth opening in twenty years.
Photographs arrive in a private online gallery for viewing, full-resolution download and sharing with family. Films are delivered through a secure link for streaming and download.
If you order an album, it is designed by hand as a printed record of the day — the version your family will actually take off a shelf.
The schedule is set around the collection and coverage you choose. We confirm the expected delivery timing before you book and keep you informed as the photographs and films move through the edit.
After the first delivery, tell us which moments need another look. Reasonable adjustments to pacing, shot selection, music timing or a small trim can be discussed. We work through those notes without losing the flow that holds the film together.
We record vows and speeches with discreet microphones, use a venue or DJ feed when one is available, and keep backup recorders in the plan. The aim is to bring back the voices and atmosphere as carefully as the images.
Unhurried, genuinely useful, and the fastest way to stop noticing a camera.
An engagement session can include both photographs and film. We use the time to make something personal and to let you get used to a camera before the day it matters.
The material is yours to use: a wedding website, invitations, save-the-dates, or the opening of the wedding film itself. Location and timing are planned around what feels natural to you rather than around a template.
Yes. The galleries below show four different sessions, with films nearby for a sense of movement and pace. Open a couple's gallery to see more than the cover photograph.
NO BORDERS
This engagement was filmed on Bali — most of the way around the world from New England, because that is where the couple wanted to be. We packed, we flew, and we worked exactly as we would have an hour outside Boston.
Distance changes the logistics. It does not change the work. If the celebration that matters to you is happening somewhere far from here, tell us where. We have done it before, and we would gladly do it again.
Texture is a choice made before the wedding, not an effect added after it.
The day is photographed digitally so that nothing is missed, and film is layered in for selected moments, portraits and details.
We shoot 35mm and medium format. The softer tones and organic grain are difficult to imitate, and a handful of film frames tends to change the character of an entire gallery.
Super 8 adds the grain, flicker and intimacy of a real home movie. We use that character where it suits the feeling of the celebration, alongside the main cinematography rather than in place of it.
We listen for a track that belongs to the emotion and rhythm of the day. Share your preferences with us; the final choice also needs to work with the edit and be legally available for use in the film.
FOR THE CINEPHILES
Shot with anamorphic lenses for a true, widescreen film look.
Anamorphic lenses are the reason films look like films. They record a wider image than the sensor would normally hold and stretch it back out, and in doing so they change everything about how a frame feels. More air around the people in it. Softer, rounder light behind them. Horizontal flares across a candle or a window. A gentle fall at the edges that draws your eye to the centre without ever asking for it.
It is the visual language of cinema rather than video. Once you have seen your own wedding in it, ordinary footage looks flat. Available as an upgrade on any film collection.
Attentive without being present. Direction when it helps, distance when it does not.
Almost everyone says this, and almost no one still feels it by the afternoon.
You do not need to know what to do. We give simple, natural direction, find the angle and the light, and then step back so the day can happen on its own. An engagement session beforehand removes most of it in advance.
Our starting point is editorial documentary: considered composition, natural light and real emotion. The color is soft but still rich, and the portraits have room to feel elegant without turning the rest of the wedding into a performance.
Please do. Tell us who matters most, which traditions and details need particular care, and anything you would prefer us not to emphasize.
Private vows, letters and personal audio can be reserved for the feature or documentary edit instead of appearing in a public trailer. We will discuss those choices with you.
New England is home. The work travels wherever the celebration does.
Yes. New England is home, and we regularly travel across the United States and abroad.
Send the location along with the date. Travel, coverage and availability are easier to discuss accurately once we know where the celebration happens.
Tell us whereYes. We first learn the rituals, family priorities and timing that give the celebration its shape. From a small gathering to several days of events, the coverage can be planned around the traditions and moments your family wants to keep.
Aerial footage can help establish the place when flying is safe, legal and approved by the venue. Where it is restricted, we explain that in advance and build the film around what can be captured on the ground.
Tell us where it is, when it happens and what matters most. We will help shape the right coverage.
Tell us about your wedding
